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My overall goals are to increase the number of my recordings, workshops, symposiums, lectures, and to ensure that the Steelpan and its music are given the international respect that they deserve. What are your feelings regarding the view of Pan globally as an instrument and how we as a community can change the stigma attached to it as being purely an “island” novelty?
What are your immediate and future goals with Pan as an instrument? And for Trinidad & Tobago Panorama for the BP Renegades, Pan Elders & San Juan East Symphony.Jit Samaroo, Len ‘Boogsie’ Sharpe, Ray Holman and even Andy Narell, I feel totally humbled and extremely honoured to have my name etched among these stalwarts.I also feel vindicated to know that hard work has it rewards and that my efforts are appreciated on an international level.I continue to be in awe and forever grateful to God when I see how my arranging capabilities continue to expand to unprecedented levels from my inception in 2001 to present.In retrospect, being trademarked as an arranger is like the start to self- actualization. Though the preparations were hectic, the results were phenomenal.