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It is generally accepted that if Cambodia had not been colonized by France, it would have been swallowed by its neighbors. True national identity was created during the French colonial presence.

The French fixed boundaries, systematized government and ecclesiastical bureaucracies, promoted the empire as a national symbol, encouraged an increasingly elaborate ceremonial role for the king, and introduced secular education. There are significant populations of ethnic Khmer in Thailand and Vietnam.

Vietnamese, Chinese, and Cham, who are often bilingual, freely use their own languages, and Vietnamese and Chinese newspapers are published in Phnom Penh. The most important cultural symbol is the ancient Khmer temple Angkor Wat, along with the ancient Khmer Empire and its monumental antiquities.

Pictures and bas-relief carvings of the four-faced tower of the Bayon at Angkor Thom and of âpsâras (celestial dancing girls) are ubiquitous in homes and public buildings.

Large numbers of the Cambodian refugees who fled to camps in Thailand during the DK period and the early PRK period resettled in the United States, France, Australia, and New Zealand.

The largest ethnic minority population is Vietnamese, whose numbers range between 500,000 and a million.

Since independence, every flag except the one used by the United Nations when it administered the country in 1993 has featured the image of Angkor Wat.

Despite the efforts of France to promote the continued use of French as a second language, it is probably giving way to English.

There continues to be migration of Khmer Kraom to Cambodia, including young men who come as Buddhist monks; many Khmer Kraom have a strong sense of identity with the nation.

Their role in Cambodia is complex in that while they are glorified as a symbol of lost territory, they are sometimes distrusted as being Vietnamese.

The institution of kingship, which was reestablished in 1993, is an important national symbol, especially in rural areas, where devotion to the king never died out during the socialist period.

It is not clear to what extent the symbolism of kingship can be separated from its current embodiment in Norodom Sihanouk.

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